A Year In Books: Part I

So far this year I’ve read (or read again) 23 books. It’s been an especially great run, as you can see. My favorites, like always, are marked with an asterisk.

Nightfall by David Goodis*
Cassidy’s Girl by David Goodis*
Night Squad by David Goodis
The Psychographist by Carson Winter*
Threshold by Caitlin R. Kiernan
Thrust by Tom Piccirilli*
The King is Dead by Walter Tevis
Flood by Andrew Vachss*
Take the Cannoli by Sarah Vowell
Kindred by Octavia Butler*
Welcome to Hell: A Working Guide for the Beginning Writer by Tom Piccirilli*
The Witch Elm by Tana French*
The Effects of Urban Renewal on Mid-Century America and Other Crime Stories by Jeff Esterholm*
Gordon B. White is Creating Haunting Weird Horror(s) by Gordon B. White*
Never Whistle At Night: An Indigenous Dark Fiction Anthology (Shane Hawk and Theodore C. Van Alst Jr., Editors)
Futile Efforts by Tom Piccirilli*
Slenderman: Online Obsession, Mental Illness, and the Violent Crime of Two Midwestern Girls by Kathleen Hale
Impossible Things by Connie Willis
The Inconsolables by Michael Wehunt*
You Will Never Be Forgotten by Mary South
The Mammoth Book of Folk Horror (Stephen Jones, Editor)*
Campfires of the Dead and the Living by Peter Christopher*
Notice by Heather Lewis*

Rayne is 1 this month!

April marks the first anniversary of The Cemetery Special, the third/final installment of my werewolf novella trilogy, The Ambush Moon Cycle, being unleashed upon the world!

I am very grateful to the fine folks at Raven Tale Publishing for having faith in this relatively unknown author and for helping my heartfelt (and, hopefully, horrific) series find so many readers.

Also, a big thanks is overdue for all of those readers who cared enough to leave kind reviews of the series! I am truly touched to know Rayne and her struggles and triumphs have connected with so many. It makes the lonely frustrating hours spent at the keyboard worthwhile, that’s for sure.

A few examples of the incredible praise the series has received so far:

“A wonderfully savage & ferocious little story! Very well written, some of the passages were surprisingly beautiful & I am not one to turn down a feel-good ending, it actually felt apt in conjunction with the rest of the story.”

“I am awed at the skill that Marano brings to the table in this one. There are NO weak points in the narrative; plotting, character development, dialogue, and the climax all are tightly woven into a superior yarn.”

“There are so many werewolf stories out there that it is hard to stand out in the crowd, but this one somehow manages to do it. I look forward to more, and am now following this author.”

“I’m not normally a fan of series, but Marano got me hooked with this one. He has a great knack for character development, and writes dialogue that is believable.”

“Most such stories are, in my opinion, written by hacks who love their stories, but not writing. Marano seems to love both. It’s a short read, but well done and actually has something important to say about being human.”

Damn, even my cruel black husk of a heart could not possibly remain untouched by such kind and generous feedback.

I’ve got a few new stories set to be published later this year, and a standalone horror/mystery novella currently under consideration by multiple publishers, so hopefully I’ll have some good news to share with you soon with regards to future projects.

Meanwhile, if you have not yet given The Ambush Moon Cycle a try, now is the perfect time.

You can order the paperback and eBook versions via Amazon. But if you want a signed copy, reach out to the good people at Eagle Harbor Book Company, on Bainbridge Island, who have several copies of each of the three books in stock right now – all of which feature my gorgeously unreadable signature!!!

The 2023 Bram Stoker Awards® Final Ballot

Congratulations to all the writers on this year’s Bram Stoker Awards® Final Ballot, which was recently announced by the Horror Writers Association.

I won’t be attending StokerCon myself this year, sadly, but I wish all the nominees the best of luck. I think it’s a pretty good list, with strong candidates in every category, although I confess I have a few personal favorites for which I am rooting. However, since I haven’t read all the books in every category, I’ll keep my thoughts to myself for now, as I do my best to read a few more before the winners are announced.

You can read the full list of nominees here.

As for myself, I’ve been sticking to a fairly regular (for me) writing schedule of late, with two major projects in the works and 5-6 short stories out in the world under consideration at various venues, fingers crossed.

Also, I’m leading a short genre fiction writing workshop at Bainbridge Artisan Resource Network, which meets once a week and is (I think/hope) going really well so far. I am looking forward to reading what all the participants come up with for their final stories.

And I’ve been reading, of course. I’ve finished 13 books so far this year. My favorite “discovery” has been David Goodis, whose name I knew but I hadn’t yet read anything of his before January. Since then I’ve blown through four of his books and I’ve got to say the hype is legit. The guy wrote lean, mean, black-as-pitch noir that stands (or slouches, at least) shoulder-to-shoulder with the likes of Jim Thompson and Charles Willeford, two of my all-time favorite authors of hardboiled fiction.

Goodis’ life makes for interesting reading on its own – give the Wikipedia article a skim if you are interested in the seamier and sordid side of American Lit – and one of my favorite podcasts, Paperback Warrior, did a great episode about his life that’s very much worth your time to check out.

Thanks for checking in with me – more stories and updates to come!

Workshop (final) notice: Writing, Pitching, and Submitting Short Genre Fiction

I am told there are still a few in-person slots available for the workshop my friend, the incredibly talented author (and literally the most well read person I’ve ever met) Rafe Posey and I will be leading at the end of the month through Bainbridge Artisan Resource Network.

The subject is the writing, picking, and submitting of short-form genre fiction. Writers of all experience levels, and ages 14 and up, are welcome. Both in-person and virtual participation is an option. Registration is open now — and seats are limited.

For this workshop, Rafe and I have designed a curriculum that will take participants from generating ideas, to revising a finished short story, to submitting their polished work to appropriate markets. 

Here’s the official description: 

“Over the course of seven weeks, you’ll generate ideas for an original piece of short-form genre fiction (mystery, horror, romance, historical, experimental, etc.) of 1,500-6,000 words, based on provided prompts. You’ll workshop that piece to prepare it for being submitted for publication. You’ll also learn about the contemporary marketplace for short genre fiction and how to select the best venues for your story.

“Each of the first four weeks are dedicated to a different specific aspect of genre writing (worldbuilding, point of view, voice, writing within constraints, homage, and style). You’ll read examples of each, engage in class discussions, and then write a short piece (800-1,200 words) with an emphasis on that week’s central topic.

“Week five will be a thorough discussion of the contemporary short fiction marketplace with regards to genre work specifically, best submission and querying practices, and lessons to take away from rejections. You’ll research five potential marketplaces to which you could submit your work after completing the course.

“Meanwhile, you’ll complete your final assignment — choosing one of the initial four “mini-assignments” as a starting point, write a complete short story between 1,200 and 6,000 words long in your chosen genre. The last two weeks will focus on group critiques and workshopping those stories.”

Between us, Rafe and I have practical first-hand experience in essentially every possible aspect of writing and publishing fiction. And I think this class is going to be a huge success. If you are interested to learn more, check out the course listing in the BARN catalogue here.

Bram Stoker Award preliminary ballot announced

I was very proud to see so many friends listed on the recently announced 2023 Bram Stoker Award preliminary ballot. It’s going to be an especially excellent group of finalists no matter what the ultimate outcome, that’s for sure.

Courtesy of the Horror Writers Association, the preliminary ballot can be read in its entirety here.

I want to extend special congrats to those authors I know personally and/or have collaborated with in the past: Rebecca Rowland, Christi Nogle, Gordon B. White, Sadie Hartmann, and Robert P. Ottone. Good luck, everyone!

The preliminary ballot goes out to all HWA Lifetime and Active members on Feb. 1. Get ready to vote!

‘The best you can hope for is a less arduous road to the grave…’

A little ray of sunshine, wasn’t I?

Recently, I enjoyed an excellent interview with Aigner Loren Wilson as part of a series of profiles she is doing on members of the Seattle chapter of the Horror Writers Association. It’s online now and you can read it here.

So if you were just thinking that your 2023 would be incomplete without hearing me opine about various things — my publishing experiences thus far, my writing process, all the stuff I’m reading/watching instead of writing — then you are in luck!

I want to say thanks to Aigner and the local chapter chairs for writing, arranging, and hosting these interviews. It’s been a blast getting to know more about all the great horror writers in the area.

Here’s hoping the new year is spooky in all the right ways!

2023: A Year In Books, Finally

Okay, I’m ready to call it — this year, I read (or read again) 71 books!

Technically, that’s two books less than last year (and last year’s number was technically a little less than the year’s before) but I’m trying to stress out less about my unreasonable TBR pile and making my way through it. Instead, I’m making a concerted effort to read what I really want to read at the given time and not rushing through books just to goose the stats.

For the curious, my full list is below (with favorites marked, as always, with an asterisk). And below that you’ll find my lists for 2022 and 2021 as well, for comparison.

This will likely be my last post of the year, so I want to thank you for checking in with me and taking the time to read about what I’ve got going on. Hopefully next year will begin with some exciting announcements, as I’ve got a few tentative projects in the works right now.

Happy Holidays!!

2023
Exquisite Corpse by Poppy Z. Brite*
The Fran Lebowitz Reader by Fran Lebowitz
Zombie by Joyce Carol Oates*
Experimental Film by Gemma Files*
Split Scream: Vol. 2 by Cynthia Gómez and M. Lopes da Silva*
The Wild Hunt by Emma Seckel
The Best Horror of the Year: Vol. 12 (Ellen Datlow, Editor)*
Helicopter Parenting in the Age of Drone Warfare by Patrick Barb*
Gargantuana’s Ghost by Patrick Barb*
Corpsemouth and Other Autobiographies by John Langan*
Stories from the Attic by William Gay*
The Safety of Unknown Cities by Lucy Taylor*
The Lost Weekend by Charles Jackson
Koko by Peter Straub*
Sisters of the Crimson Vine by P.L. McMillan*
The Wide, Carnivorous Sky and Other Monstrous Geographies by John Langan*
Nightblood by T. Chris Martindale
Soft Targets by Carson Winter*
Southern Fried and Horrified by Ronald Kelly*
Folk Songs for Trauma Surgeons by Keith Rosson*
The Postman Always Rings Twice by James M. Cain
Charcoal by Garrett Cook*
Music of the Moldering & If it Bleeds by Matthew M. Bartlett*
The Donut Legion by Joe R. Lansdale*
They Were Here Before Us: A Novella in Pieces by Eric LaRocca
The Mother Wound by Jess Landry
Behold the Void by Philip Fracassi*
Madam Crowl’s Ghost & Other Stories by Sheridan Le Fanu
Beneath A Pale Sky by Philip Fracassi*
The Office of Historical Corrections: A Novella and Stories by Danielle Evans*
The Vile Thing We Created by Robert P. Ottone*
Shadow Season by Tom Piccirilli*
Children of Demeter by EV Knight
Thrill Me by Benjamin Percy*
Yours Cruelly, Elvira: Memoirs of the Mistress of the Dark by Cassandra Peterson*
A Choir of Ill Children by Tom Piccirilli*
Split Scream: Vol. 3 by Patrick Barb and J.A.W. McCarthy*
Monster, She Wrote: The Women Who Pioneered Horror and Speculative Fiction by Lisa Kröger and Melanie R. Anderson*
Whalefall by Daniel Kraus*
The Dragon Griaule by Lucius Shepard*
Agony’s Lodestone by Laura Keating*
The Trees Grew Because I Bled There: Collected Stories by Eric LaRocca*
The Angel of Rome And Other Stories by Jess Walter*
The Deceased by Tom Piccirilli*
The Earth Moved: On the Remarkable Achievements of Earthworms by Amy Stewart*
Strangers On A Train by Patricia Highsmith
Under the Hollywood Sign: The Collected Stories of Tom Reamy by Tom Reamy*
The Best of Our Past, The Worst of Our Future by Christi Nogle*
As Summer’s Mask Slips and Other Disruptions by Gordon B. White*
We Are Here To Hurt Each Other by Paula D. Ashe*
Pre-Approved For Haunting and Other Stories by Patrick Barb*
101 Horror Books to Read Before You’re Murdered by Sadie Hartmann
The Wayward Bus by John Steinbeck*
Every Shallow Cut by Tom Piccirilli*
The Witnesses Are Gone by Joel Lane*
The Unblemished by Conrad Williams
Dead Leaves by Kealan Patrick Burke
Benny Rose, The Cannibal King by Hailey Piper
Pork Pie Hat by Peter Straub
All Hallows by Christopher Golden
Deep Into That Darkness Peering by Tom Piccirilli*
The Secret Life of Insects and Other Stories by Bernardo Esquinca*
Polyphemus by Michael Shea*
Spectral Shadows: Three Supernatural Novellas by Robert Westall*
We Live In Water: Stories by Jess Walter*
I’d Rather Be The Devil: Skip James and the Blues by Stephen Calt*
Scarewaves by Trevor Henderson
The Chalk Circle Man by Fred Vargas*
Seeking Whom He May Devour by Fred Vargas*
Bad Dog: Collected Crime Stories by Tom Piccirilli*
Fever House by Keith Rosson*

2022
Lesser Known Monsters of the 21st Century by Kim Fu*
Our Friends from Frolix 8 by Philip K. Dick
The Book of Broken Hymns by Rafe Posey*
Ring Shout by P. Djèlí Clark*
Basketful of Heads by Joe Hill*
Sundial by Catriona Ward*
Dread Softly by Caryn Larrinaga
The Haunting of Alma Fielding by Kate Summerscale
Swift to Chase by Laird Barron
The Stay-Awake Men & Other Unstable Entities by Matthew M. Bartlett*
The Book of the Most Precious Substance by Sara Gran
Manhunt by Gretchen Felker-Martin*
Spontaneous Human Combustion by Richard Thomas
Wounds: Six Stories from the Border of Hell by Nathan Ballingrud*
The Cormorant by Stephen Gregory*
The Nineties: A Book by Chuck Klosterman*
Full Throttle: Stories by Joe Hill*
Mr. Cables by Ronald Malfi*
The Dead Fish Museum by Charles D’Ambrosio
The John Fante Reader (Stephen Cooper, Editor)
The Twilight Man: Rod Serling and the Birth of Television by Koren Shadmi*
The Man Who Loved Books Too Much: The True Story of a Thief, a Detective, and the World of Literary Obsession by Allison Hoover Bartlett*
The Hunger and Other Stories by Charles Beaumont
And Her Smile Will Untether the Universe by Gwendolyn Kiste*
All We Need of Hell by Harry Crews
Anthony Bourdain’s Hungry Ghosts by Anthony Bourdain and Joel Rose
Selected Stories by Nate Southard
Mr. Gaunt and Other Uneasy Encounters by John Langan*
The Low, Low Woods by Carmen Maria Machado
The Me You Love In The Dark by Skottie Young*
Stray Dogs by Tony Fleecs*
Hack/Slash: My First Maniac by Tim Seeley
The Stars We Share by Rafe Posey*
Beulah by Christi Nogle*
The Apparitionists: A Tale of Phantoms, Fraud, Photography, and the Man Who Captured Lincoln’s Ghost by Peter Manseau*
Julia by Peter Straub
Floating Dragon by Peter Straub*
Reunion Special by Carson Winter*
All the White Spaces by Ally Wilkes
Sometimes We’re Cruel and Other Stories by J.A.W. McCarthy*
What Moves the Dead by T. Kingfisher*
Helpmeet by Naben Ruthnum*
The Woman by Jack Ketchum & Lucky McKee*
Engines of Desire: Tales of Love & Other Horrors by Livia Llewellyn*
Wise Blood by Flannery O’Connor*
lost boy lost girl by Peter Straub*
Terra Insanus by Edward Lee
Fuzz: When Nature Breaks the Law by Mary Roach*
in the night room by Peter Straub*
Unfortunate Elements of My Anatomy by Hailey Piper*
Final Cuts: New Tales of Hollywood Horror and Other Spectacles (Ellen Datlow, Editor)*
A Season of Loathsome Miracles by Max D. Stanton*
Queens of the Abyss: Lost Stories from the Women of the Weird (Mike Ashley, Editor)
Things Have Gotten Worse Since Last We Spoke And Other Misfortunes by Eric LaRocca*
Anybody Home? by Michael J. Seidlinger*
Shiver by Junji Ito*
Dark Archives: A Librarian’s Investigation into the Science and History of Books Bound in Human Skin by Megan Rosenbloom*
End of the Road by Brian Keene*
Nightscript: Vol. 8 (C.M. Muller, Editor)*
Halloween Fiend by C.V. Hunt
The Halloween Children by Brian James Freeman and Norman Prentiss*
Devil’s Night by Curtis M. Lawson
The Mexican Tree Duck by James Crumley*
Split Scream: Vol. 1 by Carson Winter and Scott J. Moses*
Every House Is Haunted by Ian Rogers*
Closing Costs by Wesley Southard*
By The Light of My Skull by Ramsey Campbell*
In A Lonely Place by Karl Edward Wagner*
Little Deaths: The Definitive Collection by John F.D. Taff*
The Valancourt Book of Victorian Christmas Ghost Stories (Tara Moore, Editor)
You Shall Never Know Security by J.R. Hamantaschen
Snowblind by Christopher Golden*
We Had to Remove This Post by Hanna Bervoets*

2021
Berlin Noir by Philip Kerr*
(This volume collects the first three of Kerr’s Bernie Gunther novels – March VioletsThe Pale Criminal, and A German Requiem)
DJStories: The Best of David J Schow by David J Schow*
Familiar Spirit by Lisa Tuttle*
A Day at the Beach by Geoffrey Wolff
San Diego Lightfoot Sue and Other Stories by Tom Reamy*
Cutting Edge by various (Dennis Etchison, Editor)*
The Earth Wire by Joel Lane
Skin by Kathe Koja*
Viator by Lucius Shepard*
Gabriel by Lisa Tuttle*
Occultation by Laird Barron*
The Town by Bentley Little
Meddling Kids by Edgar Cantero
Warlock by Jim Harrison*
Get In Trouble by Kelly Link
The Amityville Horror by Jay Anson
Three By Cain by James M. Cain*
(This volume collects three of Cain’s novels – SerenadeLove’s Lovely Counterfeit, and The Butterfly)
After the People Lights Have Gone Off by Stephen Graham Jones*
Tales of the Unexpected by Roald Dahl
The Turquoise Lament by John D. MacDonald*
The Charles Bowden Reader (Ed. Erin Almeranti and Mary Martha Miles)*
Ellison Wonderland by Harlan Ellison
The Dreadful Lemon Sky by John D. MacDonald*
Scar City by Joel Lane*
Unforgivable Stories by Kim Newman
Beast of the Heartland by Lucius Shepard*
The Last Detail by Darryl Ponicsan*
North American Lake Monsters by Nathan Ballingrud*
The Stones of Muncaster Cathedral by Robert Westall
The Pugilist At Rest by Thom Jones*
Night-Side by Joyce Carol Oates
Colonel Rutherford’s Colt by Lucius Shepard*
Will My Cat Eat My Eyeballs? And Other Questions About Dead Bodies by Caitlin Doughty*
The Great Leader by Jim Harrison*
The Big Seven by Jim Harrison
If The River Was Whiskey by T.C. Boyle*
Rant by Chuck Palahniuk*
Bloodchild & Other Stories by Octavia E. Butler*
R Is For Rocket by Ray Bradbury
Color Scheme by Ngaio Marsh
Blindsight by Peter Watts*
We Sold Our Souls by Grady Hendrix*
I Sing The Body Electric! by Ray Bradbury
The Best of Michael Michael Marshall Smith* by Michael Marshall Smith 
Miss Lonelyhearts & The Day of the Locust by Nathanael West*
Basket Case by Carl Hiaasen
Cold Snap by Thom Jones
Observed While Falling: Bill Burroughs, Ah Pook, and Me by Malcolm Mc Neill
Greener Pastures by Michael Wehunt*
The Last Good Kiss by James Crumley*
Wicked Things by Thomas Tessier
In that Endlessness, Our End by Gemma Files*
The Wordy Shipmates by Sarah Vowell
Between Time and Terror (Edited by Robert Weinberg, Stefan Oziemianowicz, Martin H. Greenberg)*
Nightmare Alley by William Lindsay Gresham*
Booked To Die by John Dunning
Mapping The Interior by Stephen Graham Jones*
Silver Scream (Edited by David J. Schow)*
My Planet: Finding Humor In The Oddest Places by Mary Roach
The Imago Sequence by Laird Barron*
The Only Good Indians by Stephen Graham Jones*
From Here To Eternity: Traveling the World to Find the Good Death by Caitlin Doughty*
Blood Sugar by Daniel Kraus*
The Final Case by David Guterson 
Slewfoot: A Tale of Bewitchery by Brom*
Trick Or Treat: A History of Halloween by Lisa Morton*
When Things Get Dark (Edited by Ellen Datlow)*
Nothing But Blackened Teeth by Cassandra Khaw
Something More Than Night by Kim Newman*
Today A Woman Went Mad In The Supermarket by Hilma Wolitzer
The Last House On Needless Street on Catriona Ward*
Entangled Life by Merlin Sheldrake*
Out of the Woods by Chris Offutt*
To Be A Man by Nicole Krauss
The Glassy, Burning Floor of Hell by Brian Evenson*
The Plot by Jean Hanff Korelitz*

‘Gobble’ – hear my latest story now…

My latest published short story, “Gobble,” in which a group of animal rights activists infiltrate an experimental poultry farm and encounter horrors far worse than expected, can now be heard on the new episode of Drew Blood’s Dark Tales. Find it anywhere you get podcasts – or listen on YouTube right here!

As a bonus, the episode also includes a performance of my story “Black Dog Blues,” which first appeared in the 2021 anthology The Half That You See (edited by Rebecca Rowland).

My thanks to Drew and Geoff and Craig and everyone else at Chilling Tales for Dark Nights for letting me chip in another story to the program.

Hope you enjoy!

Workshop notice: Writing, Pitching, and Submitting Genre Fiction

Very exciting news: my friend, the incredibly talented author (and literally the most well read person I’ve ever met) Rafe Posey, and I will be leading a short-form genre fiction workshop at Bainbridge Artisan Resource Network early next year. Writers of all experience levels, and ages 14 and up, are welcome. Both in-person and virtual participation is an option. Registration is open now — and seats are limited.

For this workshop, Rafe and I have designed a curriculum that will take participants from generating ideas, to revising a finished short story, to submitting their polished work to appropriate markets.

Here’s the official description:

“Over the course of seven weeks, you’ll generate ideas for an original piece of short-form genre fiction (mystery, horror, romance, historical, experimental, etc.) of 1,500-6,000 words, based on provided prompts. You’ll workshop that piece to prepare it for being submitted for publication. You’ll also learn about the contemporary marketplace for short genre fiction and how to select the best venues for your story.

“Each of the first four weeks are dedicated to a different specific aspect of genre writing (worldbuilding, point of view, voice, writing within constraints, homage, and style). You’ll read examples of each, engage in class discussions, and then write a short piece (800-1,200 words) with an emphasis on that week’s central topic.

“Week five will be a thorough discussion of the contemporary short fiction marketplace with regards to genre work specifically, best submission and querying practices, and lessons to take away from rejections. You’ll research five potential marketplaces to which you could submit your work after completing the course.

“Meanwhile, you’ll complete your final assignment — choosing one of the initial four “mini-assignments” as a starting point, write a complete short story between 1,200 and 6,000 words long in your chosen genre. The last two weeks will focus on group critiques and workshopping those stories.”

Between us, Rafe and I have practical first-hand experience in essentially every possible aspect of writing and publishing fiction. And I think this class is going to be a huge success. If you are interested to learn more, check out the course listing in the BARN catalogue here.

Here’s a bit of background on Rafe: he  is the author of the novel “The Stars We Share” (Viking/Penguin, 2021) as well as numerous works of short fiction, which have appeared in journals such as Poydras Review, Empty Sink, Urbanite, and The Light Ekphrastic. He also worked as the fiction editor for Cobalt Review for several years, and as a guest editor for a [PANK] special issue. After teaching English, writing, and humanities at the University of Baltimore and, most recently, in a maximum-security prison in Maryland, Rafe now works as a bookseller on Bainbridge Island.

And, of course, an updated bio of yours truly:

An award-winning writer and photographer, Luciano is the author of the werewolf novella trilogy “The Ambush Moon Cycle” and numerous works of short fiction that have appeared in anthologies such as Year’s Best Hardcore Horror, The Best New Weird Horror, Monsters, Movies & Mayhem (winner: Colorado Book Award), and Crash Code (nominee: Splatterpunk Award), Nightscript, Pseudopod, Chthonic Matter Quarterly, and Chilling Tales for Dark Nights. His written and photographic reporting has earned a number of industry accolades, and he was twice named a feature writer of the year by the Washington Newspaper Publishers Association. A U.S. Navy veteran originally from rural western Pennsylvania, he now lives near Seattle.

I’m very excited about this!

Veterans In Horror 2023

I was grateful and flattered to be recently featured in the Horror Writers Association profile series “Veterans In Horror Spotlight.”

While I almost never walk around thinking of myself as a “veteran” specifically, my five years in the U.S. Navy were a foundational experience in my life and something I am very proud of.

Want to hear me ramble about a few things? You can read the interview here.

Thanks to the HWA for all they do and an even bigger thanks to all the people who have taken an interest in my work – it is very, very appreciated.

Take care – talk soon!